Design — gd.

Genevieve DruryJanuary 31, 2019

JOURNAL DESIGN This notebook has been designed for easy note taking. Each section of the journal has been divided into the months of the year with blank lined pages.  The design has taken into consideration the scribbles, drawings and notes that are normally taken in a notebook. A sleeve has been designed to easily slide the notebook in and out of, and to create an efficient packaging solution to avoid unnecessary plastic.

Genevieve DruryJanuary 31, 2019

Calendar Design  A 2018 calendar with a design that focuses on the small elements of line, shape and type. This publication cohesively creates a fun and playful calendar for 2018.  These calendars were an ongoing individual project to give to family and friends as Christmas gifts. The calendars were also for sale through my website. Working with the gift of making rather than materialistic and a way to show my creative design skills to others.

Calendar Design

Genevieve DruryDecember 28, 2017

Diary Design  A diary design 2018 that was comissioned for an individual who enjoys plant and native objects. This inspired the design through line, movement, illustrations and colour.  The final design was printed onto recycled paper to further communicate this idea of the environment and flora.

Diary Design

Genevieve DruryDecember 14, 2017

Small Measures Identity Design

Genevieve DruryOctober 5, 2017

Hobart Eats Publication  Hobart Eats the name of the publication aims to be a purposeful item, one that describes the eateries available in Hobart. A written experience and description allows the visitors to be introduced to the particular venue and theme before entering the space.

Hobart Eats Publication

Genevieve DruryJune 9, 2017

Alphabet Design - Tasmanian Story  A type alphabetic series based on a Tasmanian myth or story to showcase the relationship between typographic forms. Fold up poster designs and alphabet cards were the final outcomes of this project. The main ideas of the story spoke of how a family migrated to Tasmania. The daughter Nan Chauncy began to write about her life in Tasmania, which was influenced by the symbolic fauna, flora and surroundings of her new family life. Earthy tones and rough paper stocks were printed onto to represent this Tasmanian story through typographic means.

Alphabet Design - Tasmanian Story

Genevieve DruryMay 31, 2017

Dustcover Designs  Typographic dustcover designs experimented with the idea of how typographic forms could engage with each other through the form of a dustcover design. Each design was to be based off a piece of writing that spoke of typography.  Dustcover one, explored type designer, Hermann Zapf. His plea and past experiences for authentic type design. The text spoke of how type can be easily copied and manipulated.  The design through typography explored scale distortion and composition.  Dustcover two, explores the ideas conveyed by Phillip Meggs that speaks of the ease and manipulation of the computer. The ease to flip, rotate, stretch or bend type far from its original form.

Dustcover Designs

Genevieve DruryApril 3, 2017

Glen Hodges Quintet

Genevieve DruryMarch 29, 2017

Typeface Specimen - Amanita  A type specimen project focusing on the font of one family and producing a publication to display this. Camila Henriquez a young graphic designer from Chile created Amanita font. Henriquez’s background in design surrounds packaging, illustration, branding and editorial. This type specimen was chosen for its petite, free flowing and handwritten forms. Amanita is a slightly condensed handwritten typeface by an irregular and thin line width.  By choosing a young upcoming designer, was based on showcasing someone similar’s talents at the beginning of their career.The end product was intended to be functional and useable. Therefore a personal diary and planner design was the final output.

Typeface Specimen

Genevieve DruryOctober 11, 2016

Book Cover Design The redesigning of Donna Hay’s cookbook cover. The books are divided into three sequels with different formal qualities: image only, type only and image and type combined.The end papers of the book reinforce the strong relationship in design between image and type. The imagery references hand generated marks made when cooking. The type has been hand generated to reinforce this process of making. The printing techniques included printing onto tracing paper as a material, which represented the baking paper element associated to cooking.

Book Cover Design

Genevieve DruryAugust 22, 2016

Text & Type

Genevieve DruryMay 10, 2016

Stamp Design A design for a stamp collection and accompanied packaging, resonating the practiceof an Australian designer.  This stamp collection reflects Kim Wallace an Australian handmade ceramic artist based in Queensland. Her work is inspired through the raw nature of the coastal landscape focused on the beach and bush flora. The stamp series design reflects this practice through colour, recycled paper stocks and imprinting garden objects through paint. Ceramics, surroundings and hands on procedures have been embodied into the design, housed in a traditional stamp box.

Stamp Design

Genevieve DruryApril 3, 2016

Magazine Design A magazine publication touring around the best destinations to eat and drink of Hobart. This publication explores type, image, colour and layout design fundamentals. The image and type forms connect together through transparency and filters to engage the viewer through a tactile finished product.

Magazine Design

Genevieve DruryAugust 20, 2015

Cookbook Design - Palette to Plate This cookbook showcases a collection of homemade recipes. The concept of the book is based on colour and texture. Paper stocks have been experimented with including on fabric, tracing and acetate. The tracing paper references the baking paper when cooking and the acetate was used so the next photograph could be visible. Therefore the layouts work across the opposite pages as one complete composition.

Cookbook Design- Palette to Plate

Genevieve DruryNovember 12, 2014